英文版的导游词模版7篇
导游词开头语包括问候语、欢迎语、介绍语、游览注意事项和对游客的希望五个方面，放在导游词的最前面，你现在知道导游词是怎么样子了吗？小编在这里给大家分享一些英文版的导游词模版，希望对大家能有所帮助。
英文版的导游词模版篇1
Hello, welcome to the Palace Museum, and I'm glad to serve you, I am the journey zi-ang li, you just call me lee, today today have I accompany you have a good time.
For the completion of the imperial palace was built in 1406, 1420, is the Ming dynasty emperor Zhu Dishi build, now with me, please go to the imperial palace the biggest palace in the taihe palace. Here is the place where the Ming emperor summoned to the White House orders in ceremonies, the whole temple width, depth 5, outside corridor column, outside the house stood 72 pillar of big, the 35 meters high, inside clear height of 14 meters, 63 meters wide, for all the palace, the largest wooden hall.
We came to neutralize the temple, the hall of supreme harmony of the Forbidden City. Is the emperor rest the night before they go to the hall of supreme harmony, ministers and accept a mecca for officials.
Play the zhonghe palace again, I'll take you to visit the Baohe Palace, the Baohe Palace is the qing dynasty state banquet hall and test for examination hall. As everybody knows, qianlong nearby have a minister called liu2 yong, he is in the Baohe Palace was admitted into the draft.
The Forbidden City tour here, today's explanation to me still satisfaction? You are welcome to put forward opinions and Suggestions, I'm very grateful to, finally, I wish everyone have a good time. thank you
英文版的导游词模版篇2
emperor qin shihuang’s mausoleum and the terra-cotta warriors and horses museum
emperor qin shihuang (259-210b.c.) had ying as his surname and zheng as his given name. he name to the throne of the qin at age 13, and took the helm of the state at age of 22. by 221 b.c., he had annexed the six rival principalities of qi, chu, yan, han, zhao and wei, and established the first feudal empire in china’s history.
in the year 221 b.c., when he unified the whole country, ying zheng styled himself emperor. he named himself shihuang di, the first emperor in the hope that his later generations be the second, the third even the one hundredth and thousandth emperors in proper order to carry on the hereditary system. since then, the supreme feudal rulers of china’s dynasties had continued to call themselves huang di, the emperor.
after he had annexed the other six states, emperor qin shihuang abolished the enfeoffment system and adopted the prefecture and county system. he standardized legal codes, written language, track, currencies, weights and measures. to protect against harassment by the hun aristocrats. emperor qin shihuang ordered the great wall be built. all these measures played an active role in eliminating the cause of the state of separation and division and strengthening the unification of the whole country as well as promotion the development of economy and culture. they had a great and deep influence upon china’s 2,000 year old feudal society.
emperor qin shihuang ordered the books of various schools burned except those of the qin dynasty’s history and culture, divination and medicines in an attempt to push his feudal autocracy in the ideological field. as a result, china’s ancient classics had been devastated and destroy. moreover, he once ordered 460 scholars be buried alive. those events were later called in history“the burning of books and the burying of confucian scholars.”
emperor qin shihuang,for his own pleasure, conscribed several hundred thousand convicts and went in for large-scale construction and had over seven hundred palaces built in the guanzhong plain. these palaces stretched several hundred li and he sought pleasure from one palace to the other. often nobody knew where he ranging treasures inside the tomb, were enclosed alive.
emperor qin shihuang’s mausoleum has not yet been excavated. what looks like inside could noly be known when it is opened. however, the three pits of the terra-cotta warriot excavated outside the east gate of the outer enclosure of the necropolis can make one imagine how magnificent and luxurious the structure of emperor qin shihuang’s mausoleum was.
no.1 pit was stumbled upon in march 1974 when villagers of xiyang village of yanzhai township, lintong county, sank a well 1.5km east of the mausoleum. in 1976, no.2 and 3 pits were found 20m north of no.1 pit respectively after the drilling survey. the terra-cotta warriors and horses are arrayed according to the qin dynasty battle formation, symbolizing the troops keeping vigil beside the mausoleum. this discovery aroused much interest both at home and abroad. in 1975, a museum, housing the site of no.1 and covering an area of 16,300 square meters was built with the permission of the state council. the museum was formally opened to public on oct.1, the national day, 1979.
no.1 pit is 230 meters long from east to west, 62m wide from north to south and 5m deep , covering a total area of 14,260 square meters. it is an earth-and-wood structure in the shape of a tunnel. there are five sloping entrances on the eastern and western sides of the pit respectively. the pit is divided into eleven corridors by ten earthen partition walls, and the floors are paved with bricks. thick rafters were placed onto the walls (but now one can only see their remains), which were covered with mats and then fine soil and earth. the battle formation of the qin dynasty, facing east. in the east end are arrayed three lines of terra-cotta warriors, 70 pieces in each, totaling 210 pieces. they are supposed to be the van of the formation. immediately behind them are 38 columns of infantrymen alternating with war chariots in the corridors, each being 180m long. they are probably the main body of the formation. there is one line of warriors in the left, right and west ends respectively, facing outwards. they are probably the flanks and the rear. there are altogether 27 trial trench, it is assumed that more than 6,000 clay warriors and horses could be unearthed from no.1 pit.
no.2 pit sis about half the size of no.1 pit, covering about 6,000 square meters trail diggings show this is a composite formation of infantry, cavalry and chariot soldiers, from which roughly over 1,000 clay warriors, and 500 chariots and saddled horses could be unearthed. the 2,000-year-old wooden chariots are already rotten. but their shafts, cross yokes, and wheels, etc. left clear impressions on the earth bed. the copper parts of the chariots still remain. each chariot is pulled by four horses which are one and half meters high and two metres long. according to textual research, these clay horses were sculptures after the breed in the area of hexi corridor. the horses for the cavalrymen were already saddled, but with no stirups.
no.3 pit covers an area of 520m2 with only four horses, one chariot and 68 warriors, supposed to be the command post of the battle formation. now, no.2 and 3 pits have been refilled, but visitors can see some clay figures and weapons displayed in the exhibition halls in the museum that had been unearthed from these two pits. the floors of both no.1 and 2 pits were covered with a layer of silt of 15 to 20cm thick. in these pits, one can see traces of burnt beams everywhere, some relics which were mostly broken. analysis shows that the pits were burned down by xiang yu, leader of a peasant army. all of the clay warriors in the three pits held real weapons in their hands and face east, showing emperor qin shihuang’s strong determination of wiping out the six states and unifying the whole country.
the height of the terra-cotta warriors varies from 1.78m, the shortest, to 1.97m, the tallest. they look healthy and strong and have different facial expressions. probably they were sculpted by craftsmen according to real soldiers of the qin dynasy. they organically combined the skills of round engraving, bas-relief and linear engraving, and utilized the six traditional folk crafts of sculpturing, such as hand-moulding, sticking, cutting, painting and so on. the clay models were then put in kilns, baked and colour-painted. as the terra-cotta figures have beeb burnt and have gone through the natural process of decay, we can’t see their original gorgeous colours. however, most of the terra-cotta figures bear the trace of the original colours, and few of them are still as bright as new. they are found to be painted by mineral dyestuffs of vermilion, bright red, pink dark green, powder green, purple, blue, orange, black and white colours.
thousands of real weapons were unearthed from these terra-cotta army pits, including broad knives, swords, spears, dagger-axes, halberds, bows, crossbows and arrowheads. these weapons were exquisitely made. some of theme are still very sharp, analyses show that they are made of alloys of copper and tin, containing more than ten kinds of other metals. since their surfaces were treated with chromium, they are as bright as new, though buried underground for more than 2,000 years. this indicates that qin dynasty’s metallurgical technology and weapon-manufacturing technique already reached quite a high level.
in december 1980, two teams of large painted bronze chariots and horses were unearthed 20 metres west of the mound of emperor qin shihuang’s mausoleum. these single shaft four-horse chariots each comprises 3,462 spare parts, and has a body with two compartments, one behind the other, and an elliptical umbrella like canopy. the four horses harnessed to the chariot are 65-67 centimeters tall. the restored bronze chariots and horses are exact imitations of true chariot, horse and driver in half life-size.
the chariots and horses are decorated with coloured drawings against white background. they have been fitted with more than 1,500 piecese of gold and silvers and decorations, looking luxurious, splendid and graceful. probably they were meant for the use of emperor qin shihuang’s soul to go on inspection. the bronze chariots and horses were made by lost wax casting, which shows a high level of technology. for instance, the tortoise-shell-like canopy is about 4mm thick, and the window is only 1mm thick on which are many small holes for ventilation. according to a preliminary study, the technology of manufacturing the bronze chariots and horses has involved casting, welding, reveting, inlaying embedding and chiseling. the excavation of the bronze chariots and horses provides extremely valuable material and data for the textual research of the metallurgical technique, the mechanism of the chariot and technological modeling of the qin dynasty.
no.2 bronze chariot and horses now on display were found broken into 1,555 pieces when excavated. after two-and-half years’ careful and painstaking restoration by archaeologists and various specialists, they were formally exhibited in the museum on october 1, 1983. no.1 bronze chariot hand horses are on display from 1988.
英文版的导游词模版篇3
the great mosque at huajue lane
the mosque is a major spot for religious activities of over 60.000 moslems in xi’an, likewise, an important cultural relic protected by the provincial people’s government. unlike the arabic mosques, with splendid domes, the minarets reaching into the clouds, the coulourful engraved sketches with dazzling patterns, the mosque here in xi’an possesses much chinese traditional touch in both its design and artistic outlook; besides the style peculiar to islamic mosques, this mosque also holds characteristics of chinese pavilions with painted beams and engraved ridgepoles.
however, any further discussion about the mosque will be futile unless anything of the introduction of islam into china is brought up.
islam as a religious order was founded in the early period of the 7th century a.d. and was introduced to china in the mid-600s. at that time, arabian merchants and travelers came to the northwest of china by way of persia and afghanistan and thus established diplomatic, trade, and military contacts with china. in the meantime, another route saw a batch of sea voyagers through bangladesh bay and the malacca strait to china’s guangzhou, quanzhou, huangzhou, yangzhou and other cities where many of them settled down and married the local women who later gave birth to babies who then became moslems.
however, massive immigration of the moslems to china did not take place until as late as the early period of the 13th century, when genghis khan, as a result of his expedition against the west, had conquered vast expanses of land stretching from central asia to eastern europe, including the north of iran. many of the moslems in the conquered areas were thus forced to enlist and later settled in china.
among the enlisted many were soldiers, and some were smiths and officials who were called the hui people in the history books on the yuan dynasty. the hui people later followed kublai khan down to the south, helping him unifying china and then establish the yuan dynasty. in the wake of the conquest, islam spread all over china and mosques began to appear everywhere. in the yuan dynasty, many moslems held positions both in the military and civilian organs of the country. and a lot of the moslems took part in zhu yuanzhang’s uprising in the early 14th century and made great contributions to the founding of the ming dynasty. therefore, all the emperors of the dynasty issued mandates to protect islam, and to set up mosques in praise of the moslems for their feats. in the early 16th century, islam predominated qinghai on the minority nationalities including the huis, the uygurs, the kazaks, the kirgizes, the tajiks, the tartars, the ozbeks, the dong xiangs, the salars and the bonans. the moslems in xi’an are mainly the huis, being a small portion out of the ten million in china.
the mosque at hua jue lane is the largest in xi’an, and at the same time, it is also one of the earliest built on a comparatively large scale, and well preserved mosques in china.
according to “the stele on the building of the mosque”, the mosque is said to be built in the tang dynasty. however, the architectural style of the mosque suggests a possible building dating back to the ming dynasty. the four courtyards of the mosque cover an area of more than 12,000 square meters, out of which about 4,000 are occupied by various structures. the still intact wooden front memorial gateway of the front yard, built at the turn of the 17th century, with glazed tiles on the top, spectacular corners and upturned eaves, is about 9 metres high, and has a history of about 360 years. the stone memorial gateway in the center of the second courtyard is flanked with a tail stele on either side with dragons carved on each, recording the repair work ever since the building of the mosque. on the back of one of the steles are engraved characters by the master calligrapher mi fu, “may buddhism fill the universe”, on the other, “royal -bestowed”by dong qichang, another master of the same art of the ming dynasty. they are treasures in chinese calligraphy. at the entrance of the third courtyard is an imperial built hall, where a “month tablet”, showing the calculation of the hui calendars in arabic, is stored. it was compiled by a man in charge of the mosque called xiao mining in the early period of the qing dynasty. a three –storeyed octagonal wooden structure called “retrospection tower”also stands in the center of the courtyard, which has the same function as the minaret in islamic temples in arabic countries, and which is a place from where orders were sent to call the moslems to come to worship. respectively, on the south and north wings of the tower, are a reception chamber and a scripture chamber, both elegantly laid out. the five wooden houses, which are called “water houses”in the southwest section of the mosque are the place where the believers bathe themselves before they attend their services. and in side the fourth courtyard there is a structure called “the pavilion of phoenix”, a place where the worshipers used to wait for the services. the pavilion, in fact, is a compound structure of three small buildings. the six-gabled structure of the central part, adjoining the two three-gabled buildings on each side looks very much like a flying phoenix, and hence its name. just at the back of the pavilion, there is a fishpond, beyond which is a platform occupying an area as large as 700 m2. across both ends of the platform stands the 1,300 square metered service hall, holding over a thousand worshipers at once. there are over six hundred sunk panels well as the sunk panels, are decorated with patterns of painted trailing plants and arabic letterings. the imam leads his group of worshipers, while facing in the direction of mecca, to chant in koran and to pay their religious homage.
the moslems in china share very much the same customs with their brothers and sisters elsewhere in the world. they worship five times a day: at dawn, at noon, in the afternoon, at dusk, and at night. female worshipers attend their services in a separated place from their brothers, usually at home. moslems pay special attention to their health and see that they always wear clean clothes. they are teetotalers not only of wine, but also of pork and animal blood for in koran pigs have been mentioned four times as being “unclean”. according to koran, a man can have four wives and women should wear veils when they go out. however, except a few places in xinjiang, the chinese practise monogamy and women are veiless when they go out. upon his death, a moslem has to be “thoroughly cleaned”(thoroughly bathed), has to be put on “ke fan”(to be shrouded with a piece of white cloth) and has to be buried coffinless in the ground, with an imam reciting scriptures at the funeral.
the chinese constitution promulgates that freedom of religion of each citizen and freedom of preserving or reforming local customs for every nationality are permitted. and of course, the moslems in china enjoy equal rights with peoples of other nationalities and their religious beliefs and customs are respected everywhere in the country.
英文版的导游词模版篇4
good morning! ladies and gentlemen! today, with such great joy, on behalf of anhui travel agency. i’d like to extend our warm welcome to all of you, our distinguished guest from the other side of the pacific. please allow me to introduce myself. my name is li xin and i work for anhui travel agency .during your short stay in huangshan, i’ll be your local guide. it’s my honor to be of your service. if you have any request, go ahead! i’ll try my best to help you and make your stay comfortable!
ok, now, we’re heading for qiyun mount. it’s about 30 minutes’ bus ride. on the way you can enjoy the beautiful scenery and i’d like to give you a brief introduction about mt.qiyun. mt.qiyun is situated in xiuning county of southern anhui, formerly known as “white mountain”. it’s now called “qi yun”, which means “as much high as the clouds” with a peak poking into the sky.
mt.qiyun, together with the yellow mountain and jiuhua mountain, has always enjoyed the reputation of “three famous mountains in southern anhui”. over about 500 years ago, one emperor in chinese history praised it as the first mountain in south of yangtze river. and since 1,300 years ago, it has been chosen as one of the “four taoism holy lands” in china.
mt.qiyun covers a scenic area of 110 square kilometers. it is the rising part of the yellow mountain extending southwest to the edge of southern anhui basin. the mountain ranges from northeast to southwest, with highest peak of 585 meters above sea level. composed by purplish and erinaceous rock and grit, the mountain has been shaped into the unique “red cloud land form” by long-time weathering and erosion. at present, there has been 300 scenic spots in qiyun mount, among which are 50 wonderful peaks, 49 odd rocks, 16 deep caves, 46 nice stream and 25 places of ridges, stairs and terraces. all these go into the making of the natural beauty here. the three major scenic areas are: yuehua street, yunyan lake and longshang lou.
ok, i have said too much about mt.qiyun. i expect you have got a general idea about it. seeing is believing. let’s get off the bus and brings your camera, i will show you around the mountain!
look! the first sight that comes to us is dengfeng bridge, which leads to the mountain passage. come on! let’s close it! do you know why it called “dengfeng” bridge, and “dengfeng” which means “being promoted”. it is said that the bridge can bring people gook luck and longevity. today you came here and you can have good luck and longevity. long long ago, there is a local governor, who would build bridges for the good of the people, has won their respect and love. just as the bridge was going to be named, the imperial edict came announcing the promotion of the governor. thus, the crowed congratulated the governor and gave the bridge the name “dengfeng”. ok! let’s go on visiting! then we will pass six pavilions one by one on our way up the mountain. each has its names and different pictures painting on the ceilings. they are buyun pavilions, denggao pavilions, yingfeng pavilions, songyue pavilions, haitianyiwang pavilions and wangxian pavilions.
now, here is wangxian terrace which means expecting the fairy is the leading scenic spot of the fairy pass with feiyun pavilion on it. you see this bridge called mengzhen bridge means dream comes true. let’s pass it and maybe our dreams will come true! now, this is shouzi cliff, and that huge character “shou” means longevity is engraved. you can take a picture! it’s 230cm in diameter. are you ok? a few steps ahead are the first heaven gate. you see the peak is in the shape of an elephant, and the cave looks just like the huge trunk of it. thus, it is also called trunk hill. come on! eyes front! a tremendous stone inscription high up on the cliffs! stone carving is a distinctive feature of qiyun mountain. here, you see four chinese charactors “tian kai shen xiu” which means heaven created the beauty is the fairy’s caves, which is one of the best spots of the mountain. and you can see so many carved figures here! we can take a short rest here and then we’ll get up to the second heaven gate and the third heaven gate, then we’ll arrive at the hinterland of qiyun mount-yuehua street. the street used to be place for taoists to practice martial art and make immortality pills. there had been a number of magnificent taoist shines and buildings, but most of them were damaged as the time passes by only 8 temples have been well-preserved, and several others have been rebuilt. such as yuxu temple and zhenxu hall. also we’ll visit fangla zhai ahead of yuehua street, and the highest peak of qiyun mount, --guoyan, which is another wonderful spot with its stone inscription.
英文版的导游词模版篇5
Although Changchun has been more than 200 years old, it is still a young city comparing other historical cities in China, like Xian. Being the capital city of Jilin Province , Changchun is the political, economic and cultural center. If territory of China is in a shape of rooster, therefore Changchun is one eye of this huge rooster. You can imagine its important position. Spring City of Northland: The four seasons varies a lot and the climate is rather pleasant, therefore Changchun is honored Spring City of Northland. 39% of Changchun ground has been clothed with greenage, which makes Changchun one of top cities in this aspect. Green plants in and around Changchun make the city become a big oxygen bar, providing people to enjoy real fresh air.
City of Automobiles: Changchun is the cradle of Chinese automobile industry, a famous auto city in China. On July 13, 1956, a truck branded with Jiefang was produced, which opened a new age for Chinese auto industry. This truck was the first automobile entirely made by Chinese. Famous and Changchun International Automobile Fair makes Changchun a real City of Automobiles.
City of Films: Changchun Film Studio was the first one after the establishment of People's Republic of China. It is praised as the cradle of Chinese film industry. For dozens of years, a great many excellent films were produced here which gained a good fame for Changchun Film Studio both at home and abroad. As a calling card of Changchun, ceremonious Changchun Film Festival has enhanced its honor City of Film. People outside Changchun have known more about this city through film; while Changchun has presented more of itself by films.
It is undeniable that Changchun is also a good travel destination. The natural sceneries of Changchun lie in lakes and forests. Nanhu Park (South Lake Park), Jingyuetan National Forest Park are good places for you to enjoy the pleasure given by nature. Especially in winter the whole Changchun city will give you a real enjoyment of genuine winter. Besides, there are colonial vestiges, such as Puppet Emperor's Palace. Still Changchun Film Studio and Changchun Movie City provide you another different kind of enjoyment comparing with simply watching movies in cinemas.
As the fast development of tourist industry, those related tourist facilities in Changchun are also in a quick growth. Nowadays there are more than 30 star-rated hotels in Changchun, among which three hotels are five-star rated.
51 trains begin or pass by Changchun Railway Station everyday; more than thirty domestic airlines and four international lines of Changchun Longjia International Airport provide you much convenience of transportation. Four main speedways have connected Changchun with many parts of China.
Nightlife of Changchun is not as colorful and romantic as that of other big cities in China, such as Shanghai, Beijing, however, it has its own distinctive flavor which can be only known after you taste it in person. Various kinds of pubs, coffee bars, teahouses and other amusement centers will make you feel at ease.
英文版的导游词模版篇6
Ladies and gentlemen, today we are going to visit a famous Buddhist temple---the Jade Buddha Temple.
Before visiting the temple, I’d like to say a few words about the religious situation in Shanghai. Our constitution stipulates that every Chinese citizen is ensured the freedom of religious belief. There are four major religions in practice in Shanghai, namely, Buddhism, Taoism, Islam, and Christianity, which is sub-divided into the Catholic Church and the Protestant Church. When it comes to Buddhist temples in China, they are usually classified into three sects, i.e. temples for meditation, for preaching and for practicing Buddhist disciplines. The Jade Buddha Temple is a temple for meditation, and is well-known both at home and abroad.
The temple was first built during the reign of Emperor Guangxu of Qing Dynasty, when a monk named Hui Gen went on a pilgrimage to Burma and brought back five jade statues of Sakyamuni. On his way back to Mount Putuo via Shanghai, he left two jade statues here, one in sitting posture and the other, reclining. He had a temple specially built as a shrine for these two statues in 1882. later the temple was
partly destroyed by fire and in 1928 a new temple was completed on the present site.
Just opposite the temple gate, there stands a giant screen wall. Various designs, such as dragon, phoenix, elephant, crane and peony are carved on it. In Chinese legend, all these things are considered the symbols of fortune, wealth, longevity and auspiciousness. Chinese people used to set up a wall in front of the house so as to keep the evils away.
Now ladies and gentlemen, please turn around. Here we can see the temple gate. It is also called the Sanmen Gate, or say, the Gate of Three Extrications. The door in the middle is called the Door of Emptiness, to its right is the Door of Non-phenomenon, and to its left, the Door of Non-Action. Sanmen Gate is also called the Mountain Gate because most famous temples in China are found deep in mountains. But the Sanmen gate does not open except on the first and the fifteenth of every lunar month. Now this way to the entrance.
Ladies and gentlemen, the first hall is the Heavenly King Hall. We will use the rear door, please follow me.
(in the Heavenly King Hall next to the southern entrance)
Here we can find the statue of a fat and smiling monk with bared belly. He is Bodhisattva Maitreya. His smile is so contagious that you will smile with him and forget all your worries. So he is also called the Laughing Buddha. According to Buddhist scripture, he is now practicing Buddhism in the Tusita Heaven. After 4000 years, which is equal to 5.67 billion years on the earth, he will become successor to Sakyamuni under a Long Hua Tree in Hualin Garden. Hence another name the Future Buddha.
But this statue we see here is not the real image of Bodhisattva Maitreya, it is just his incarnation.. it is said that During the Five Dynasties Period, 1000 years ago, there lived in Fenhua in Zhejiang Province a monk named Qi Ci, who always carried a wooden staff with a cloth sack on his shoulder. He often went around towns and in streets to beg alms. Therefore he became known as “the Cloth Sack Monk”. He always smiled and laughed, looking as happy as ever.
When he was dying, he left the message saying that he was the incarnation of Bodhisattva Maitreya. So his image is enshrined in the Buddhist Temple as the incarnation of Bodhisattva Maitreya.
(on the eastern side of the Heavenly King Hall)
On the two sides of the hall are enshrined four statues. They are so-called Four Heavenly Kings. In the Buddhist legend, there is in the center of the world a highest mountain called Mount Sumeru. Halfway on it is a mountain called Mount Ghandara with four peaks. On each peak lives a Heavenly King protecting the Buddhist heaven. The first one is the Southern King---King of Developing Merits. His duty is to educate all living creatures and develop king-heartedness.
He is holding a sword in his hand which can emit a ray to chop off the enemies’ heads. The one next to him is the Eastern King---King of Protection for Buddhism. He is holding in his hand a pipa, which is somewhat like a guitar. With this pipa, he offers music to the Buddha. Meanwhile this pipa is a magic weapon. It can send out a musical rhythm to defeat the enemy by tormenting brain and causing him to lose combatability. Now ladies and gentlemen, please come over to this side.(on the western side of the Heavenly King Hall)
The first one on this side is the Northern King---King of Virtue. He is so called because of his virtue. He is holding a parasol-shaped stela in his hand. The parasol can be opened into a canopy in Buddhist processions. It is at the same time a magic umbrella. Once it is opened in the battle field, the sky turns dark and a wind-storm rises, defeating the enemy with a dizzy spell and then it closes up capturing all the enemies. Next to him is the Western King---King of Far Sight.
He observes the world with his penetrating eyes. He is holding a dragon-shaped silk rope. The rope is actually a net, with which he converts people to Buddhism just like catching fish with a net. This dragon also has a magic power. It can spurt water from its mouth and drown the enemy in floods.
(in the Heavenly King Hall next to the rear door)
The Statue facing the rear door is Bodhisattva Skanda. He is always dressed in armour with a worrior’s club in his hand. Originally he was one of the eight heavenly generals under the Southern King of Developing Merits. Later he has been enshrined here because of his bravery. He is also a god of message, a fleet-foot runner, so when visitors come to the temple, he will immediately report to the Buddha in the Grand Hall.
Now ladies and gentlemen, that’s all for the Heavenly King Hall. Please follow me and look out the threshold and the steps.
Now we can see a giant tripod in the courtyard. It is actually a giant incense burner. It was donated by some Buddhist laymen who believed that by donating something the Buddha they can help purify the souls of their dead relatives from sins and relieve them from purgatory.
Now this is the main hall, known as the Grand Hall or Grand Hall of the Great Sage. It is the main structure in every Buddhist temple, where the statue of Sakyamuni, the founder of Buddhism is enshrined.
