英语电影影评范文精选(优选43篇)

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更新时间:2024-02-01 14:28:19 发布时间:24小时内

英语电影影评范文精选1

认识《斗牛》这部影片还是同学介绍,说是不错,我就专门把它下载下来,并认真欣赏这部影片。感觉很不错,深深激起了我内心深处的共鸣。

一看到斗牛这两个字大家一定会联想到西班牙斗牛,但这部影片却不是西班牙的斗牛,而是纯中国版的“斗牛”,而且这部影片中的主角之一――牛,却是荷兰奶牛,题材新颖,打破了以往影片的传统。

这是一部以抗日战争为题材喜剧片,它反映中^v^民在^v^中的.不幸与所遭受的悲惨苦难,同时也反映了战争异常的残酷性。它是由我国著名导演管虎所导演,著名演员黄渤与燕妮共同主演的一部喜剧片,说是一部喜剧片,其中不乏有很多笑点,可是却无法让人眉开颜笑,原因就是它的场景太悲惨残酷了,而不禁地会让人惆怅起来。整部电影围绕着一头由国际友人赠送的荷兰奶牛展开的,真实的再现了抗日战争年代战火给中国人民带来的痛苦与不幸,让人深恶^v^主义给人民带来的深痛苦难与恶行,并充分展现了农民的卑微与朴实,同时反映了以男主人公为代表的广大农民的信誉。

虽然影片含有很多喜剧元素,却演绎出了中国三、四十年代最沉痛、最痛苦的那段历史。在影片中男主人公所住的整个村的人都被残忍的杀害了,只有男主人公与这头荷兰奶牛,这时的男主人公是孤独的,也是痛苦的,他所失去的不仅是与他朝夕相处的村民,他的那头老黄牛,他失去的还有他的挚爱――女主人公“九儿”,这正是他最痛苦的地方,为了这头“八路牛”,他失去了太多,但他还是坚持把这头“八路牛”成功从残忍的战火中解救出来并在与它朝夕相处的日子中培养出了深刻的情感,在这一方面有赖于这头牛不是一般的牛,而是能产奶的荷兰牛,另一方面是还有赖于男主人公的机智、勇敢与很好的信誉,没有这两方面的原因这头牛是不可能活这么长时间的。这时的男主人公与牛说话,在别人看来似乎就是对牛弹琴,但这时的主人公与牛已经远远超出了人与动物之间的一般关系,男主人公已经与牛之间生了深刻的感情,甚至已经到了分不开的地步了。从这个角度来看这也反映了战争时代中国农民的信誉,勇敢,敢于牺牲的爱国之情,从侧面也反映了日本鬼子的凶残。影片通过这些极为朴实的事例道出了一个意义深刻的道理,在这建国60周年之际,值得我们深思与学习,是献给祖国的最好的礼物。

这也是一部注重细节刻画的影片,在影片中我们可以看到破落的村庄,代表男女主人公爱情的银镯子,曾拯救过多人性命并经历过生死的奶牛都是导演所着重刻画出来的场景,打破了很多影片所体现出来的豪华阵容,在正方面我认为是一次创新,该影片虽然质朴但不乏教育意义,并能深深激起人们的爱国之情。

在影片最后男主人公意味深长的说出一句话:“别害怕,什么都能过去”,道明了只有活着才有可能取得最终的胜利,才能做很多有意义的事。如今的我们应该感到庆幸,因为我们的生活已不再有战争带来的苦难,不再有饥肠辘辘,不再有由于战争而失去亲人与爱人的痛苦。因此,我们通过观看这部电影在深刻感受到70多年前民族的伤痛的同时,也更应该珍惜今天的和平、幸福的生活。也更应该保留在影片中男主人公所体现的坚守承诺的精神!

英语电影影评范文精选2

这本书讲述的是一个绝望女孩与命运抗争的故事,在难以想象的逆境下,她没有放弃自己接受教育的权利,通过不懈的努力,最终被哈佛大学录取,她那种面对困难、毫不屈服的勇者精神,令人动容!

莉丝(Liz)出生在美国纽约市的贫民窟、一个千疮百孔的家庭里。她的父母酗酒吸毒,母亲还患有艾滋病和精神分裂症。她在xx,艾滋,饥饿充斥的环境中度过了童年。莉丝肮脏的衣着和藏在头发里的虱子曾经饱受同学们的嘲弄,最终她因逃课被送进女童院。15岁那年,莉丝拼尽全力维持的家庭最终破碎,她失学了并开始流露街头,终日靠捡垃圾、偷东西为生。苦难的生活似乎没有尽头,她整夜都待在地铁车厢里,因为只有在这里才相对安全、才能温暖入梦。当母亲最终因艾滋病感染而死亡时,莉丝深受触动。她知道,如果自己继续沉沦下去,她最后的结局将和母亲一样悲惨。她决定不再继续这样的生活,她要改变命运,要做一个对社会有用的正常人。

能够改变自己命运的道路只有一条,那就是重回学校,接受教育,并接受最好的教育。虽然莉丝从小家境贫寒,但她依然养成了一个爱读书的好习惯,既使在她流浪的那几年里,她也从未中断过读书。莉丝的父亲曾经是纽约一所大学心理学系的学生,他本该有着美好的前程,但是xx毁了他。尽管如此,喜爱读书的父亲在莉丝童年时仍经常带她去图书馆,使她从小就喜爱读书。书籍给了莉丝未来的希望,她决定坚强起来,并开始新的生活。于是她重新回到了中学,她以地铁站和商店走廊为家,用二年的时间完成了四年的高中课程,并以全校第一的成绩高中毕业,并成功申请到《纽约时报》的一种全额大学奖学金,她独特的人生经历受到哈佛大学录取委员会的青睐,最终进入这所大学并获得学士学位。

正像莉丝所言,每个人都有他的人生追求,重要的是这种追求是来自你的内心。一直以来,教育的力量都是无穷的,莉丝正是依靠教育改变了自己的命运。反观中国的现状,由于近年来大学扩招导致的高等教育质量下降、大学生就业困难,很使多城市贫困的家庭和农村家庭的孩子们,选择了放弃接受教育的机会。

这几年我们周围失学的孩子越来越多,有些并非完全是经济的原因,可能更多的是来自“读书无用论”的影响,这种影响其实比贫困更可怕。虽然美国也有着很大的贫富差距,但反观莉丝的人生经历,要是她生活在中国的话,基本上不会有上大学的机会,更不要说去读清华、北大这些名校了。上世纪90年代中国大学改革扩招之后,名为公立的大学,一边享受着国家的高额补贴,一边却向学生们收取高昂的学杂费。20多年前,很多原本贫穷的农家子弟通过上大学成为城里人,最终改变了自己的命运,那个时候上大学基本是免费的。但是,改革开放三十多年了,国家财富增加了不少,可是我们的教育却比以前落后了。目前我们的贫困大学生,除了借助一些很少的商业银行贷款,还没有哪种奖学金可以让穷人家的孩子可以没有后顾之忧、像莉丝那样去上大学。

“教育公平是最大的公平”,记得这是一位名人说过的话,希望我们国家在教育公平上有更多的进步,希望中国那些和莉丝一样命运的孩子,在不久的将来,也能够通过教育改变自己的命运。

英语电影影评范文精选3

我想了好多的题目来表达我对这部电影的的印象,但都显得苍白无力,可能世界上一切的华丽的辞藻,都不及实际的直观的印象留在人们心中来得深刻。

拥有金色长发的女孩利斯,她有着悲惨的童年,小时候父母都是瘾君子,这给她的童年蒙上阴影,不久母亲因感染上艾滋病去世了,在母亲的棺木下葬的那一刻,她跳上了棺木趴在盖子上和母亲做最后的告别,一个渴望拥有一个完整的家,有家人在一起和睦相处的小小的愿望也被剥夺了,看到这我的眼眶湿润了,父亲由于酗酒被送到收容所,而爷爷也不愿意收留她。她从此过着流浪的生活。

如果沉沦下去,她将和母亲的结局一样悲惨,她决心告别,要开始崭新的生活。

她申请了一所私立学校,后来用两年的时间读完了四年的高中课程,她的梦想是去哈佛,因为没有钱所以申请了奖学金,这些都是她想要改变的勇敢的做法。终于她成功了,在获得奖学金的演讲上,她说:我愿意放弃一切,只要能换回我的家庭。

这是由一部真实的故事改编的电影,我几乎是含着泪看完的,为利斯不幸的家庭,为她坚毅的追求自己的理想,为这份执著而无法表露的亲情而感动。

我记下几句台词和大家分享:

“我可以寻找各种理由使自己低头,也可以迫使自己创造更美好的生活!”

“人会死花会谢,看似有价值的东西其实毫无意义,留下一些影象,模糊的影象,供己回忆。”

“世界是无限的,我们只是一粒尘埃,我们不能以我们的意志来改变生活,因为世界上总会有一些人的意志比自己的要强一些。”

“当人们遇到困难或是遭受挫折后,只是在怨叹,在逃避。而不是去想是什么原因,有哪些细小的因素导致着这种失败,所以生活还是没有改变,不幸依旧,我不要这样,我要看看如果我努力后我的生活会是什么样。”

哈佛风雨路的观后感3

xx天是xxx年的正月初一,本来是个开心的日子,可是看了影片《风雨哈佛路》,我被主人公不屈不挠的抗争情节所打动,我流泪了。

影片的主人公叫丽兹,她出生在美国的贫民窟里,从小就开始承受着家庭的千疮百孔,父母酗酒吸毒,母亲患上了精神分裂症。贫穷的丽兹需要出去乞讨,流浪在城市的角落,生活的苦难似乎无穷无尽。然而,贫困和苦难并没有止住丽兹前进的决心,她选择读书作为自己的出路,最终千方百计申请到哈佛的全额奖学金,成为一名真正的哈佛女孩。

在她得人生中,从不退缩的奋斗是永恒的主题。她在疯人院打过工,她不堪外公的侮辱和朋友流浪过,她睡地铁,捡垃圾中的吃的,曾经这样苟且地生活。但她通过努力争取到了读书的机会,在漫漫的求学路上,贫困并没有止住丽兹前进的决心。她与命运抗争,坚强,执着,依靠自己的拼搏奋斗谱写了一曲生命之歌。

看完影片,我审视自己,不论是生活还是学习环境,我都比丽兹强了成千上万倍,我没有理由懈怠,我要选择自己的路,不懈努力,追寻自己的目标。尽管路很长,但我永不言弃!

英语电影影评范文精选4

影片开场是巴黎街市的景象,十八世纪的香都弥漫着难以想象的恶臭。巴蒂斯特。格雷诺耶出生在鱼摊旁。他矮小、丑陋,身上没有任何气味。除了这一奇怪的缺陷,格雷诺耶还拥有常人不及的嗅觉。他出生后被母亲抛弃在垃圾堆里,幼年时加拉尔夫人把他作价出卖,从此,格雷诺耶以苦力活儿果腹。

为人唾弃的岁月里,他梦想复制自己嗅觉内的所有气味,使它们在自己的身上得以再现。巴黎是格雷诺耶的寻香园,在塞纳河边,他邂逅了纯美善良的少女香。为了占有它,格雷诺耶掐死了卖水果的姑娘。那天夜里,他隐约意识到自己命运的方向。

格雷诺耶向香水制造商巴尔迪克展示天赋。巴尔迪克将他买到香水作坊当伙计。格雷诺耶开始为自己试制各种香水外衣,他的香水拯救了作坊并使它显赫一时。在这段日子里,格雷诺耶发现,气味是唯一能够深入心脏的东西。它在那里把爱与厌恶区分。谁掌握气味,谁就掌握了人们的心。

获得自由的格雷诺耶隐居山上,滤尽往昔令人作呕的气息后,他游历法国寻找操控人们行为意识的香气。在一个港口小城,格雷诺耶再度从少女们的身上发现了它。

格雷诺耶杀死26个少女,提取她们尸身上残存的体香制造最蛊惑的香水。这瓶具有魔幻色彩的香水,使他把处决自己刑场变成了获取爱戴的狂欢地。当小城为格雷诺耶心旌摇荡的时候,格雷诺耶返回巴黎。在他的出生地,人们被一瓶奇异的新香迷惑,疯狂地把格雷诺耶撕成肉块,分而食之。

《香水》的上映让人们期待了二十年。二十一年前,Süskind的小说被文学界称为“一个重要的事件、一个奇迹。无数制片商争购电影版权,隐居的Süskind认为,只有《闪灵》和《发条橙》的导演斯坦利。库布里克才能执筒。,库布里克去世。3年后,Süskind的好友、曾拍摄《玫瑰之名》和《帝国陷落》的伯恩德。()艾钦格以千万欧元求得《香水》电影版权。《罗拉快跑》的导演汤姆。提克威获得伯恩德。艾钦格青睐执导本片。

根据畅销名作拍片,这种方式为电影增加了神秘感与亲切感。面对大批书迷,伯恩德。艾钦格说:“我们用意象、声响和音乐的力量。营造出气味的氛围。”为了忠实于原著的场景,他辗转德国、西班牙、意大利、法国,用17吨的鱼和动物尸体淹没外景地的街道,20几次的鼻部特色和深呼吸镜头、以慢镜调动近千名群众演员再现香水魔力下纵欲狂欢的人群……不过,汤姆。提克威用须后水代替了重要的道具:香水。

影片保持了汤姆。提克威影片一贯的节奏感,流畅的镜头语言、精良的布景与服装、一切都在努力趋向于作品。趋向于各种气息。达斯汀。霍夫曼扮演的巴尔迪克和本。卫修的格雷诺耶同样可圈可点,尽管如此,书迷觉得电影与自己意想中的《香水》有不同程度的出入。

书中细节的省略使观众抱怨不已,对人物命运和内心世界的描绘,也同原作存在差异。可以看出汤姆。提克威希望角色拥有情愫,但在Süskind的笔下,格雷诺耶象香水瓶一样透明和冰冷;配角的命运处理体现出导演和作家对生活的认知区别――不是所有的恶都会得到惩罚,更多的时候它们继续生存。令恶毁灭的电影是一种理想,描绘它们存在的小说是一种现实。

走出影院,下午特有的软香和着清冽扑面而来。如果把看电影和读原作都比做寻香,在语句描绘的氛围里,人们每过一个街口都要停下来、每闻到一种气息都要回味良久。光影作品更多是视听的快速冲击,它再现拍摄者对原作的理解。因为两者之间无法彼此抵补的区别,小说是一瓶香水,电影是永远的寻香人。

英语电影影评范文精选5

1 Artificial Intelligence

2 Beginning

21世纪中期,由于温室效应,南北极冰川融化,地球上很多城市被淹没。此时,人类科技已经高度发达,人工智能机器人就是人类发明出来用以应对恶劣自然环境的科技手段之一,而且,机器人制造技术已经高度发达,先进的机器人不但拥有可以乱真的人类外表,还能感知自身的存在。

莫妮卡的儿子马丁重病住院,生命危在旦夕,为了缓解伤痛的心情,她领养了机器人小孩大卫(海利?乔?奥斯蒙特 饰),大卫的生存使命就是爱她。马丁苏醒,恢复健康,回到了家里,一系列的事情使大卫“失宠”,最后被莫妮卡抛弃。

在躲过机器屠宰场的残酷追杀后,大卫在机器情人乔(裘德?洛 饰)的帮助下,开始寻找自己的生存价值:渴望变成真正的小孩,重新回到莫妮卡妈妈的身边。谁也不知道他能否完成自己的心愿,脱胎换骨成为真正的人,等待他们的只是凶吉难料的

love

4 Ending

Summary and reemphasis of personal view about the film

英语电影影评范文精选6

新版老人与海电影影评

重温《老人与海》,没想到是以动画片的形式。如同在琳琅满目的货架上挑选同类商品,我本来已轻轻跳过它。电影海报看上去更像书籍封面,我是说,没有动画片温情浪漫的感觉。棱角分明的字体带来海明威硬朗的气息——朋友,休想得到什么糖果屋、甜蜜的美梦和脉脉温情——这就是海报诉说的一切。

但我的确选择了它。也许为的是那一句耳熟能详曾令年少气盛的自己击节叫好的“A man can be destroyed, but not defeated'”。也许只是冥冥之中的缘分。

当海鸥的叫声伴随着少年圣地亚哥满溢梦想的眼睛缓缓拉开故事序幕,我就知道自己又蒙对了一次。后来我看到有人评论开头,说:“突然涌出的`蓝色击垮了我。”我得告诉你,是的,我被美“defeat”了。啊海军领迎风飘摇,桅杆高耸入云,然后突然就涌出来那一大片蓝色,是席慕容说过的完全不知如何调出的蓝色调,闪现出小舟和白云。沙滩紧接着丛林,山峦涌动幻化为象脊,非洲斑羚轻巧跃来,然后,然后就是无数次在圣地亚哥梦境中出现的狮子,高傲睥睨着世界。

这是我从未见过的动画画面质感,像油画和水彩的综合,但又如梦似幻,尽管依然滞涩,却有自然流动的意韵。尤其是关于海水的画面,浮光闪动温柔又致命,那就是一片不断起伏的丝绸,一块时刻更换深浅的调色板。我甚至能感受到海水的温度,当我把手伸进自己的眼睛和心里。

最美的镜头之一是圣地亚哥刚出海时,看见海鸟捕鱼。视角突然从人仰望天空飞鸟变成飞鸟俯视海面,那蓝叫人恨不得溺死在里面。然后你就变成了飞鸟呀,突然合翼旋转,加速俯冲,那片蓝离你越来越近,心跳砰砰砰,蓝玻璃瞬间破碎——海面下,鱼群四散。你比鱼群更自由,因为这惊人的艺术想象力。

更美的镜头出现在深夜独自追踪大鱼的海域。一个孤胆之人,一条剽悍之鱼,一盏渔灯与星空互映明灭。没有边际的海和天。

“我宁愿自己就是黑暗深海中的那条大鱼。”老人将鱼骨扔下。奇幻的世界开始拉开,泛着深蓝光芒的海面,水下是无尽的黑暗。

“这鱼是我的兄弟,可我不得不杀了他。

我很高兴我们不必去弄死星星,想想看,如果每天必须去弄死月亮,那多糟。月亮会逃走的。不过想想看,如果每天必须去弄死太阳又怎样。我们总算天生幸运。”

沉入水下的鱼骨遇见鱼群,鱼群仿佛幻化为流星,一样的在黑暗中闪闪发光,留下长长的痕迹。那点点闪亮,是星群还是水母?从水母之中簇拥出一个月亮。一片星云缓缓晕开,在星云中央,出现了那条大鱼。

“我还从来没有听过或者看到这样的一条鱼,可是现在,咱们碰到一块儿了。”

在片头出现过的少年水手在海中遨游,身旁是那条大鱼。姿态一样优美从容,仿佛天生为伴。他们从水底浮上海面,阳光破云层破水面射入,然后,从一个发光口,人和鱼,一起冲上了天际。

白云朵朵,飞鱼像小鸟一样飞翔,无数海豚轻声歌唱。没有海也没有天,没有鱼也没有人,世界再也没有了界限。

这就是动画。即使是海明威,即使是《老人与海》这样的小说,依然可以找到模糊真实和虚幻的点。依然可以遨游在想象的空间,抹去回忆和当下的差距,忘记现实的局限性,全身心漂浮在梦想的海洋。

美的感受见仁见智,而美的发掘历经千辛万苦。谁能想到这部动画的制作方法?利用玻璃的不同层面,在一层制作人物,另一层制作背景,灯光逐层透过玻璃来拍摄一帧画面,然后再通过更改、控制玻璃上的湿水彩来拍摄下一副画面。完全手绘,通过29000次这样的操作,两年半的时间,《老人与海》浮出水面,震惊了世界。向导演^v^•彼得洛夫致敬,向他的其它系列作品《母牛》、《狂人之梦》、《美人鱼》、《春之觉醒》。这才叫心血所凝。

我常想为什么中国无法拿出对等水准的动画片,我们并不欠缺源泉。其实我在看到《老人与海》的时候,我想到的是《小蝌蚪找妈妈》。油画和水墨,可以同样呈现梦幻而又质朴的效果。我们不是没有想象力,也不是无从借鉴,是因为我们懒和功利么?一部喜羊羊,又该让多少人争相模仿,蜂拥而至?

期待国产的《大海》。尽管看了预告片,不完全是我所爱的调调,但希望至少能像有些人评价的——让人想起《千与千寻》。

英语电影影评范文精选7

Love is real! The continuation of life!Forrest gump's life is legendary! Watched many times every time for all the good will move! Forrest gump's persistence is a lot of normal people can't do, so he honest dedication made him happy life!In the end, he and his son waiting for the bus together images are performance continue life drifting life is just like that the feathers of ups and downs!

爱才是真实的!生命的延续! 阿甘的一生是传奇的!看了很多次每次看了都好感动!阿甘的坚持是很多正常人做不到的,所以他的淳朴执着造就了他的幸福人生!最后他和他的儿子一起等校车的画面正是生命延续的表现人生就像那片飘起的羽毛起起落落!

电影《阿甘正传》精彩影评

很多时候我们就象阿甘一样找不到做一件事的理由,很多时候我们都远不及阿甘,那些不知为何而做的事情总是非常轻易地半途而废了。人的一生往往就是这样,就象片头和片尾中那片随风飘浮的白色羽毛,大多数时候,我们也许都在随波逐流,这种飘浮没有具体的方向,平淡到令人厌倦。

可是,一个腾挪一个转身,总还是可以由自己控制的,你只须尽力将它做得完满,不要计较你究竟得到了多少,那么,你就可以越飞越高,你会发现,越往高处的地方,越接近天堂,所以我相信阿甘的成功并不是偶然。

阿甘有很多自己的理论,他坐路边的长椅上和不相识的路上讲述他的传奇,他在每一个理论前面加上三个字:妈妈说。 ----妈妈说,人生就象巧克力,你永远不知道你会尝到什么味道。 ----妈妈说,你必须明白,你和你身边的人一样,你和他们并没有什么不同,没有。 ----妈妈说,我只是告诉自己,当我做一件事的时候,我就要尽力去做好它,比如我这辈子做了你的妈妈,这是我无法选择的事,上帝把你给了我,我的孩子,我就必须尽力做好你的母亲,我做到了。

阿甘是个非常听话的孩子,这些话他都记住了,他说,笨人有笨人的作为。当珍妮叫他快跑的时候,他跌跌撞撞地跑了起来,跑散了他记忆中第一双神奇的鞋子,也发掘出了他的第一项潜质:跑。他一直在跑,开始是逃跑,后来他跑进了橄榄球队,再后来跑进了大学,跑得了学位。在越战战场上,他仍是牢记珍妮的话,跑回了自己的性命,也跑回荣誉和友情。

你不得不承认,其实很多事情的成功是有其偶然因素的,它并不会因你的处心积虑而更接近终点,却会在你不经意的时候,给你的努力以一个最恰当的褒赏。他忠诚,所以在越战中他独自脱离了危险的时候,他仍然跑回丛林中去找他的战友。

他守信,他答应了战友要共买一艘捕虾船,但战友死了,他却在旁人不可思议的眼神中为他实现了遗愿,也为自己赢得了巨大的财富。他执着,所以他会在珍妮离开后一跑三年,穿越了整个美国,一直不停,他告诉你,他只是想跑,他用跑步丈量人生,这不需要以和平自由或任何冠冕堂皇的东西为理由。他友善,在他救回中尉的性命后,失去了双腿的中尉一直对自己不能战死在战场上却仍以残废之躯苟且偷生而羞愧,而恼怒,因为中尉是这样一种人:他视荣誉高于一切,他不能忍受平凡,是阿甘用友善唤回他对生命的信心,使他发现,即使没有双腿,人生依然可以充满生机。

阿甘并没有远大的理想,他失去的也有很多,他很少有朋友,他总是被聪明人嘲笑,他最爱的母亲和珍妮先后离开了他......但对他并因为如此而沉没,爱还在延续,他还有自己的孩子,一个聪明的小阿甘,他的人生还在继续,他不聪明,但他永远知道如何让生命充满希望。所以他也就赢得了荣誉,财富和爱,这些常人可能永远不能兼得的东西。

这部电影为什么如此深受喜爱?虽然阿甘的智商只有75,但在他身上,我们看到了忠诚,守信,执着,友善这些人性中最为熠熠生辉,优秀可贵的品质,看到了对生命的执着,对生活的希望,对信念的坚定.平凡的生命,不平凡的人生. 当我们年华老去,回首来路,如果你可以对昨天的一切无悔,那么你已经拥有了非常成功的一生。

[阿甘正传观后感英文60字--电影《阿甘正传》精彩影评]

英语电影影评范文精选8

有人说:平坦的人生之路是不值得回忆,也回忆不起有什么事迹,坎坷的人生道路。当你回想起来时,会变得特有价值,特有成就。

拥有了后就要拼命的去珍惜,好的家庭条件不是每个人都拥有的。所以作为有好的环境的我们何尝不去珍惜现在呢?看了这个影片后,没有像我所想的那样美好,可以说是震惊到了我,母亲的吸毒,父亲的放纵,姐姐的不幸遭遇,可是这些对于主人公来说,不管是怎样的对她不好,但她只记得她的妈妈很爱她,她是个单纯的好女孩。在她的妈妈进了戒毒所。爸爸不要她时,她并没有选择堕落。反而,她选择了努力拼搏,因为她不想再这样的过下去,觉得毫无意义。

她的命运掌握在她自己的手中,她没有浪费可以改变现状的机会,她在以前那个恶劣的环境下,她并没有放弃学习这个念头,她爱读书,知识可以改变命运,她做到了。人没有什么事是做不到的,因为有了目标,并且是极为明确的目标后,才会有无比坚持的毅力。去完成那个美好的梦想,不能让梦想永远的只成为梦想。在她妈妈去世的时候,她难过,她无比的伤心。因为她失去了一个很爱她的人。她从那时起不再继续流浪,决定不再过这种行尸走肉的日子。因为她不要那么没有意义的死去,她要她的人生变得灿烂,变得值得回忆。变得比任何人的人生更加的美好。

在这个影片中极其震撼我的是她那顽强无比的意志在那么残酷的环境下还可以这么的出众,这一点真的值得身在福中不知福的我们好好借鉴一下。在恶劣的环境下,人们才能有更清晰地目标,有着为摆脱险境的决心。有着不怕苦不怕累的意志。当然,也有人选择放弃努力。安于现状,这样的活着真的毫无价值,毫无意义。知识改变命运。信念改变人生。不要因为一点点小小的困难而被它所降服。反而得,我们应该去勇敢地面对它。不是胆怯的望着它后退。

这个电影让人受益匪浅,让我从中学到了很多,也懂得了许多,认识到了这个世界的黑暗处是多么令人绝望,可是她从这绝望中走向顶峰,这让我们顿时觉悟到了,努力的充实自己,拼命地去证明自己不是被环境的不好而找借口的人,我们不是这一代的弱者。从今,开始努力吧,让我们不要到自己没有有美好的生活而后悔。

在这大学中,我们都在忙碌的参与我们自己的社团,每天的充实感让自己感觉很不错,每天的忙碌让自己想念家里的家人的时间都少了许多。都说忙点好忙点好,这样就不会有那么多的伤心时间,让自己过得快乐点,不会那么的伤感,看了这个电影,我懂得了什么叫残酷,什么叫做出淤泥而不染,什么叫做顽强拼搏,什么叫做不向命运低头,让我看了之后,知道了,环境是我们没有资格去选择,可是,我们可以去改变。

大学的四年里,我们可以过的充实无比,也可以过的浑浑噩噩,这就看你的选择了,美好的生活不是你现在所能说出就能做到的,现在的社会会给你说,什么是残酷,什么是现实,什么叫做踏实肯干,什么叫做一丝不苟。

再苦的环境,我们也可以去快乐的生活,心态极为重要。它可以改变你的一生,可以让你从火坑里跳出来。去面对美好的人生。

英语电影影评范文精选9

和老人在一起的,是一群尊敬他,但永远不能理解他的打渔人。

他是个经验丰富、富于冒险的古巴渔民。他因倔强而古怪。他骄傲,自信,永不认输。虽然苍老,却依然强健有力,有坚持到底的毅力。面对命运,尽管失败,他保持了人的尊严与荣耀,有着胜利者的风度。而最后当战斗已成往事,他却已完全超越了这个自然,超越了他人生中的磨难、辉煌、成功与失败。他有着“重压下的优雅风度”。

“人并不是生来要给打败的,你尽可以把它消灭掉,可就是打不败他。”

如果说鲨鱼为命运,大海为社会,狮子为力与勇的象征,是老人追求的搏击精神,那么马林鱼则为理想。与惊慌,疯狂,绝望,急促的鱼群相比,那条大鱼姿态优美,冷静,高贵,强壮,美丽,尊严,无所畏惧,信心十足。

海明威曾经说过:“我宁可有一个诚实的敌人,也不愿拥有很多虚伪的朋友。”所有鲨鱼中,只有鲭鲨无所畏惧,为所欲为,不肯认输;漂亮,高贵,残忍,能干。

小男孩是人类的未来,也是硬汉子不向命运低头的力量源泉。他要学会老人的一切本领,精神力量将代代相传。

而海滩上那具白色的马林鱼骨,作为老人与马林鱼激烈追逐,与鲨鱼拼死相争的见证,既是胜利的象征,也是失败的象征,依附其上的是海明威式的硬汉子精神。

这就是八分之一的冰山原则。

英语电影影评范文精选10

For me, I want to watch some English movies to improve my English level. My English level is average, but I can't pass the first year's CET-6, so I have to learn a lot of words from some English movies. In addition to watching interesting screens, you must listen to the sentences the players say.

When you say them, you can pay attention to the intonation. If the film is worth it Two or more times, you can try to remember the sentences in the movie. You can also choose some other types of movies from a good English movie instead of funny movies.

You can not only improve your English, enrich your knowledge and expand your vision, but also be influenced by its attractive cultural factors. If you like it very much, you can read it over and over and write some feelings or reviews about it, so that you can share them with the newspaper or other people who may pay attention to it. At the same time, you may have learned a lot of new words, sentences, etc.

In my opinion, you can choose some classical movies. It will bring you a lot of things. When you need help, it may surprise you.

中文翻译:

对于我来说,我想看一些英语电影来提高我的英语水平我的英语水平一般,但是我不能通过第一年的英语六级考试,所以我必须从一些英语电影中学习很多单词,除了看有趣的屏幕外,你必须听玩家说的句子,当你说他们的时候,你可以注意语调如果这部电影值得两次或更多次,你可以试着记住电影中的句子,你也可以从一部好的英语电影中选择一些其他类型的电影而不是搞笑电影,你不仅可以提高你的英语,丰富你的知识,扩展你的视野,但也会受到它吸引人的文化因素的影响。如果你非常喜欢它,你可以一遍又一遍地看它,并写一些关于它的感受或影评,这样你就可以把它们交给报社或其他可能关注它的人分享同时,你可能已经学会了很多新词,句子,等等。在我看来,你可以选择一些古典电影看,它会给你带来很多东西,当你需要帮助的时候,这可能会给你带来惊喜。

英语电影影评范文精选11

Film Review

1 A proper title

2 Beginning

Introduction to the film (within 2-3 sentences)

Main idea (general /critical view about the film)

3 Development

Analysis of the most striking/ impressive scenes

Inspirations from the film

Film-making stuff (background/

language/ setting/ music/ dressing …)with unique feature

4 Ending

Summary and reemphasis of personal view about the film

英语电影影评范文精选12

英文影评范文精选15篇

如何写影评?影评怎么写?

如何写影评?影评怎么写?对入门者只有一个条件,即:爱看电影。

想写影评么?^v^你的兴趣是最重要的向导^v^。没有天赋?没关系,记忆力乃至电影观察力都是可以训练的。记笔记就是一个有效的方法。缺乏经验?不要紧,^v^研究能力是可以习得的^v^。怎样开头?^v^在影片中发现问题^v^。发现不了问题咋办?而我又不好意思询问别人。那就^v^养成自问的习惯^v^。怎样才能发现问题呢?^v^在讨论任何形式的电影叙事时,首先要对古典叙事形式保持敏感^v^。也就是说,要把^v^美国电影作为终极范式^v^,在比较与对照中去发现特定影片与之不同的创作旨趣及手法。^v^一旦学会辨认古典叙事,你就会更加了解叙事的多样性^v^。

写影评,应该把握好这样几点:捕捉住感受点。一部电影涉及的方面很广,需要品评的着笔点很多。这就需要对电影反复回味思考,用心灵再度感受,把握往影片中最能动人的地方,并使之在自己的笔下得到理性的升华。

立意要新,开掘要深。写影评要有新意,要有独到的见解,抓往要点,自感而发。要做到有新意,一是要抓住影片内容,结合台社会现买;二是要准确把握住影片的精神实质,挖掘影片本身所包含的深刻内涵。例如对张艺谋电影的分析要紧扣住时代背景,但也不必要都从思想意义角度分析,如巩俐在张艺谋电影中的形象塑造,张艺谋电影中的男性形象等,都是可以开掘的领域。

要重视影片的艺术分析。电影是通过艺术手段来表现主题、塑造人物、抒发感情的,所以影评要重视对影片艺术的高下进行分析。这种分析应具体详细,由表及里,言之有物;评价则应观点鲜明,实事求是。在艺术评析中,字里行间渗透出电影意识,尽可能恰当地运用电影艺术名词术语,还需要有对电影艺术的深刻感受与理性把握。这可以通过阅读电影理论书籍和多欣赏优秀影片来解决。每年的美国奥斯卡电影大奖评选,世界各国的影展都给我们提供了这样的机会,虽不能亲临其境,但通过多种媒体一样能了解动态,捕捉到世界电影发展的最新信息。

影评写作可以有长有短,可着眼于一部影片的一个镜头,也可以着眼于一种电影现象。对于我们师范生来说,要对一部影片作出全面的评价比较困难,练习写影评,可从评论一个人物形象、一个情节、一个场面入手,可对演员演技。

拍摄技巧、导演意图、影片风格、色彩、语言、音乐等进行单一的评析。随着写影评水平的提高,就可对某一人物形象,如影片中的学生、教师、军人等银幕形象发表看法,也可以从纵向谈某一阶段电影的回顾或某一体裁电影的回顾,分析其得失;或从横向谈某一风格的电影,如西部电影、贺岁片、娱乐片等,或横纵向结合,谈一个导演的风格,如谢晋模式、张艺谋现象等到。初涉影评写作不宜贪大求全,而应从一点一滴写起,思考挖掘,连缀成篇。

开始练习写作影评时还应该注意:语言要朴实,要个性化。写影评一定要讲真话,讲自己的话,不要抄袭别人的评论。唯独自己的感受和朴实的语言,才会使自己的评论富有个性和新意,也才会给读者带来清新的感受。

叙议要结合,突出评论。电影最直观可感的,影评离不开叙事。但切忌过多地叙述故事,要突出分析写评价。当然,所评所析不得脱离影片孤立地进行。

设计好影评的标题至关重要。一般来说,它由正副标题构成。正题——揭示文章的中心,必须简明扼要,而又耐人寻味,能够引起读者的阅读兴趣,同时也能给读者带来审美愉悦,它是贯穿全文的主线;副题——点明评论对象,交待片名或评论角度,它是正题必要的补充。二者相得益彰,能使文章增色不少。如:《历史和时代的搏击者——评银幕上的^v^员形象》,《悲剧在红色中渗透——评电影<红高梁>》。

我们在写影评的过程中,要不断总结学习他人的写作经验,丰富自己的写作实践,在日积月累的基础上,通过影评的写作,不断促进我们知识结何的完善,提高我们的颀赏水平和审美能力。

How to Write a Movie Review

Writing a movie review is a great way of expressing your opinion of a movie. The purpose of most movie reviews is to help the reader in determining whether they want to watch, rent or buy the movie. The review should give enough details about the movie that the reader can make an informed decision, without giving anyway any essentials such as the plot or any surprises. Below are our guidelines and tips for writing a good movie review.

Submit your movie review

1. Watch the movie

The first step in writing the review is to watch the movie. Watch the movie in a relaxed environment you are familiar with. You do not want to be distracted by an unfamiliar room. Watching the movie a second time will help you absorb a lot more detail about the movie. Most movie reviewers take notes as they watch the movie review.

2. Give your opinion

Most movie reviewers will give their opinion of the movie. This is important as

the reviewer can express the elements of the movie they enjoyed or disliked.

However, as in all good journalism, the reviewer should also give impartial details, and allow the reader to make their own mind over an issue the reader liked or disliked. Opinions should be explained to allow the reader to determine whether they would agree with your opinion .

Many regular movie reviewers will develop a following. If one can find a reviewer who shares a similar taste in films, one can confidently follow the reviewers recommendations.

3. Who is your audience?

You need to consider who your likely readers are. Writing a movie review for children requires a different approach than if writing for a movie club. Ensure you report on the factors that matter to your likely audience.

4. Give an outline

Give the outline of the movie, but don't give away essential details such as the end or any surprises. If there is a big surprise you want to entice readers by telling them something special happens, just don't say what.

5. Actors (演员)

If the movie contains actors, as most do, detail who is starring in the movie and how well you think they acted.

6. Structure

Did the movie follow a regular predictable story line, or did it get you thinking like a Quentin Tarantino movie?

and lighting (电影艺术和灯光效果)

Give details about how well the movie was shot and directed. Was the lighting good in the moody scenes?

8. Music

Did the movie have its own score like Koyaanisqatsi or ET, or did it feature songs from popular artists?

9. Read, read and read

Read and check your review thoroughly. It can be embarrassing to find errors in your work after it has been published. This is especially important for reviews that will be published on the Internet, as search engines are always looking for the correct spellings of key words.

Submit your movie review

英文电影影评范文

侏罗纪公园3英文影评 Jurassic Park III(20_

^v^Jurassic Park III^v^ is neither as dreadful as it might be, nor as perfectly wrought as it could be. For one thing, it moves along as jauntily as one of those horrific raptors scooting along the plain; the movie wraps itself up so quickly, and after such a relatively low-key climax, that you can barely believe it's over. It runs about 90 minutes, and that's sweet relief. You can get your fix of dino effects (most of which are starting to look pretty familiar anyway, after the original ^v^Jurassic Park^v^ and ^v^The Lost World: Jurassic Park^v^), with a few good jokes and interesting performances thrown in, and be on your way.

One of the best things about ^v^Jurassic Park III^v^ is that it brings back Sam Neill, who starred in the original, and he's a distinctly human and humane presence. As the movie opens, we see Neill's adventuresome paleontologist, Dr. Alan Grant, playing with the toddler of his former collaborator Dr. Ellie Satler (Laura Dern, in a nicely played cameo), who has settled down with an earnest, unexciting husband and is quietly raising their two kids. Neill plays the scene

beautifully: He's half puzzled by the idea that anybody would want to settle down to a life like this, and half wistfully jealous that it's just not for him.

He has no desire to see any more live dinosaurs up close and personal. Nonetheless, he and his young assistant Billy (Alessandro Nivola) are reluctantly roped into an adventure expedition to Isla Sorna (the ^v^Site II^v^ from ^v^The Lost World,^v^ where the prehistoric horrors were bred in a flagrant expression of human arrogance), by Amanda and Paul Kirby (Téa Leoni and William H. Macy), a rich couple hankering for danger.

Of course, they have another motive. But the bare-bones plot, from a script written by Peter Buchman, Alexander Payne (writer and director of ^v^Election^v^ and ^v^Citizen Ruth^v^) and Jim Taylor (who co-wrote those pictures with Payne), is probably the last reason anybody would go to see it. What most of us want are dinosaurs, and there are just the right number of those here, from a flock of fierce pterodactyl-like pteranodons with mischievously knowing eyes, to the dreaded raptors (who always look to me as if they should be dangling old-lady pocketbooks from their disproportionately smallish, curled-over front claws). Although it's probably still too intense for very small children, ^v^Jurassic Park III^v^ features a blessed minimum of torso chewing. The worst part is watching one of the raptors use a giant toenail to puncture the spine of a minor character played by Michael Jeter -- he's too fine an actor to meet such a ignominious end. Another saving grace of ^v^Jurassic Park III^v^ is that it captures some of the wonder from the first picture. Director Joe Johnston (^v^Honey, I Shrunk the Kids,^v^ ^v^Jumanji^v^) is much more

low-key than his predecessor Steven Spielberg, who directed the first two pictures in the series. Thankfully, he's out to set us rambling and bumping on a scary-funny amusement park ride; he doesn't hammer on the whiskery old theme of man-playing-God, nor does he seem to take much pleasure in the requisite bloody chomping, even though he of course has to include some of it. And he offers us one extraordinary panorama that looks as if it had been lifted straight out of those softly colored educational picture books of the '50s and '60s, a group of peaceful

vegetarian apatosauruses against a purply pink Maxfield Parrish sky on the banks of a canal, chomping placidly on the plants they so love to eat. Dr. Grant and his group view the scene as they pass by it on a barge, and Neill plays the moment perfectly, like a man deep in love. It's as if a sight like this could make up for any number of dreadful dinosaur encounters.

The other actors here are just as game. As Eric, a kid who's been stranded on the island, Trevor Morgan shows the kind of appealing resourcefulness that's always fun for kids to watch. Macy is more than serviceable in a throwaway role: He manages to give his cowardly-lion character a great deal of charm and comic texture. Leoni does the best she can with her

character, but there's not much to work with: She doesn't get a chance to use her best gift, a flair for snappy, screwball-comedy timing that sparkled in her short-lived TV show ^v^The Naked Truth.^v^

Even so, Payne, Buchman and Taylor give us plenty of little things to laugh at along the way: Dr. Grant and Eric have a pleasingly tossed-off exchange as Grant incredulously holds up a bottle of T. Rex pee that Eric has collected. ^v^How did you get this?^v^ he demands. ^v^You don't wanna know,^v^ Eric deadpans ruefully. There are a few moments in the picture that are streaked with a sense of terror, scenes where you think the absolute worst is going to happen. But it never quite does. There's a surprisingly delicate touch at work in ^v^Jurassic Park III,^v^ and the movie is marbled through with strands of acerbic wit. You might think that a filmmaker's going to that much trouble in a ^v^Jurassic Park^v^ picture is like casting pearls before swine. What chance do pearls have under the feet of prehistoric giants? Miraculously, they survive the trampling intact, and they're what you remember long after the last mighty footstep resonates.

II.电影名称:

1. 第六周 《当幸福来敲门》 The Pursuit of Hapiness

导演:加布里尔·穆奇诺

上映日期:20_年12月15日

北美票房:163,566,459美元

首周票房:26,541,709美元

发行公司:索尼

票房成绩:威尔·史密斯第一次征战圣诞档就大胜而归,成本仅5500万美元的

《当幸福来敲门》的首周票房只有2654万,但此后越战越勇,最终

在《博物馆之夜》这些大制作影片的夹缝中擒回亿美元,证明

史密斯不愧是好莱坞第一人。而在海外市场,这部影片也大有王者

风范,亿的总票房在全球票房榜的名列第13位。

评论:《当幸福来敲门》是威尔·史密斯迄今为止口碑最佳的影片,IMDB评

分高达分。影评人对这部影片也不吝赞美之词。《旧金山纪事报》的米克·拉塞尔评论说:“这部影片带来的最大惊喜是,它并不粗糙,非常诚实不做作。”《纽约时报》的麦诺拉·达吉斯则写道:“这部影片是现实世界的童话,史密斯和他儿子的表演压倒了一切。”《滚石》杂志的彼得·特拉维斯说:“史密斯正在走向奥斯卡,他的这个角色需要把严谨、聪明、魅力、幽默和热情合二为一,他做到了这一点。”果

英文影评范文精选15篇

How to Write a Movie Review

Writing a movie review is a great way of expressing your opinion of a movie. The purpose of most movie reviews is to help the reader in determining whether they want to watch, rent or buy the movie. The review should give enough details about the movie that the reader can make an informed decision, without giving anyway any essentials such as the plot or any surprises. Below are our guidelines and tips for writing a good movie review.

Submit your movie review英文影评范文精选15篇

1. Watch the movie

The first step in writing the review is to watch the movie. Watch the movie in a relaxed environment you are familiar with. You do not want to be distracted by an unfamiliar room. Watching the movie a second time will help you absorb a lot more detail about the movie. Most movie reviewers take notes as they watch the movie review.英文影评范文精选15篇

2. Give your opinion

Most movie reviewers will give their opinion of the movie. This is important as the reviewer can express the elements of the movie they enjoyed or disliked. However, as in all good journalism, the reviewer should also give impartial details, and allow the reader to make their own mind over an issue the reader liked or disliked. Opinions should be explained to allow the reader to determine whether they would agree with your opinion .

Many regular movie reviewers will develop a following. If one can find a reviewer who shares a similar taste in films, one can confidently follow the reviewers recommendations.

3. Who is your audience?

You need to consider who your likely readers are. Writing a movie review for children requires a different approach than if writing for a movie club. Ensure you report on the factors that matter to your likely audience.

4. Give an outline

Give the outline of the movie, but dont give away essential details such as the end or any surprises. If there is a big surprise you want to entice readers by telling them something special happens, just dont say what.

5. Actors (演员)

If the movie contains actors, as most do, detail who is starring in the movie and how well you think they acted.

6. Structure

Did the movie follow a regular predictable story line, or did it get you thinking like a Quentin Tarantino movie?

and lighting (电影艺术和灯光效果)

Give details about how well the movie was shot and directed. Was the lighting good in the moody scenes?

8. Music

Did the movie have its own score like Koyaanisqatsi (失衡生活)or ET, or did it feature songs from popular artists?

9. Read, read and read

Read and check your review thoroughly. It can be embarrassing to find errors in your work after it has been published. This is especially important for reviews that will be published on the Internet, as search engines are always looking for the correct spellings of key words.

Submit your movie review

英文电影影评范文

侏罗纪公园3英文影评 Jurassic Park III(20_

^v^Jurassic Park III^v^ is neither as dreadful as it might be, nor as perfectly wrought as it could be. For one thing, it moves along as jauntily as one of those horrific raptors scooting along the plain; the movie wraps itself up so quickly, and after such a relatively low-key climax, that you can barely believe its over. It runs about 90 minutes, and thats sweet relief. You can get your fix of dino effects (most of which are starting to look pretty familiar anyway, after the original ^v^Jurassic Park^v^ and ^v^The Lost World: Jurassic Park^v^), with a few good jokes and interesting performances thrown in, and be on your way.

One of the best things about ^v^Jurassic Park III^v^ is that it brings back Sam Neill, who starred in the original, and hes a distinctly human and humane presence. As the movie opens, we see Neills adventuresome paleontologist, Dr. Alan Grant, playing with the toddler of his former collaborator Dr. Ellie Satler (Laura Dern, in a nicely played cameo), who has settled down with an earnest, unexciting husband and is quietly raising their two kids. Neill plays the scene英文影评范文精选15篇

beautifully: Hes half puzzled by the idea that anybody would want to settle down to a life like this, and half wistfully jealous that its just not for him.

He has no desire to see any more live dinosaurs up close and personal. Nonetheless, he and his young assistant Billy (Alessandro Nivola) are reluctantly roped into an adventure expedition to Isla Sorna (the ^v^Site II^v^ from ^v^The Lost World,^v^ where the prehistoric horrors were bred in a flagrant expression of human arrogance), by Amanda and Paul Kirby (Téa Leoni and William H. Macy), a rich couple hankering for danger.

Of course, they have another motive. But the bare-bones plot, from a script written by Peter Buchman, Alexander Payne (writer and director of ^v^Election^v^ and ^v^Citizen Ruth^v^) and Jim Taylor (who co-wrote those pictures with Payne), is probably the last reason anybody would go to see it. What most of us want are dinosaurs, and there are just the right number of those here, from a flock of fierce pterodactyl-like pteranodons with mischievously knowing eyes, to the dreaded raptors (who always look to me as if they should be dangling old-lady pocketbooks from their disproportionately smallish, curled-over front claws). Although its probably still too intense for very small children, ^v^Jurassic Park III^v^ features a blessed minimum of torso chewing. The worst part is watching one of the raptors use a giant toenail to puncture the spine of a minor character played by Michael Jeter -- hes too fine an actor to meet such a ignominious end. Another saving grace of ^v^Jurassic Park III^v^ is that it captures some of the wonder from the first picture. Director Joe Johnston (^v^Honey, I Shrunk the Kids,^v^^v^Jumanji^v^) is much more

low-key than his predecessor Steven Spielberg, who directed the first two pictures in the series. Thankfully, hes out to set us rambling and bumping on a scary-funny amusement park ride; he doesnt hammer on the whiskery old theme of man-playing-God, nor does he seem to take much pleasure in the requisite bloody chomping, even though he of course has to include some of it. And he offers us one extraordinary panorama that looks as if it had been lifted straight out of those softly colored educational picture books of the 50s and 60s, a group of peaceful

vegetarian apatosauruses against a purply pink Maxfield Parrish sky on the banks of a canal, chomping placidly on the plants they so love to eat. Dr. Grant and his group view the scene as they pass by it on a barge, and Neill plays the moment perfectly, like a man deep in love. Its as if a sight like this could make up for any number of dreadful dinosaur encounters.

The other actors here are just as game. As Eric, a kid whos been stranded on the island, Trevor Morgan shows the kind of appealing resourcefulness thats always fun for kids to watch. Macy is more than serviceable in a throwaway role: He manages to give his cowardly-lion character a great deal of charm and comic texture. Leoni does the best she can with her

character, but theres not much to work with: She doesnt get a chance to use her best gift, a flair for snappy, screwball-comedy timing that sparkled in her short-lived TV show ^v^The Naked Truth.^v^

Even so, Payne, Buchman and Taylor give us plenty of little things to laugh at along the way: Dr. Grant and Eric have a pleasingly tossed-off exchange as Grant incredulously holds up a bottle of T. Rex pee that Eric has collected. ^v^How did you get this?^v^ he demands. ^v^You dont wanna know,^v^ Eric deadpans ruefully. There are a few moments in the picture that are streaked with a sense of terror, scenes where you think the absolute worst is going to happen. But it never quite does. Theres a surprisingly delicate touch at work in ^v^Jurassic Park III,^v^ and the movie is marbled through with strands of acerbic wit. You might think that a filmmakers going to that much trouble in a ^v^Jurassic Park^v^ picture is like casting pearls before swine. What chance do pearls have under the feet of prehistoric giants? Miraculously, they survive the trampling intact, and theyre what you remember long after the last mighty footstep resonates.

英文影评范文

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